FLY

World Premiere 2020
Merriam Theater, Philadelphia, PA
Choreography
Iquail Shaheed
Music
King Britt
COSTUME DESIGN
Jermaine Terry
ORIGINAL CAST

Claude Alexander III,

Samuel Gaines Jr.

Otis Donovan Herring,

Jameel M. Hendrick,

Xavier Santafield,

and Iquail Shaheed

Mood

COMPANY PERMIERE

July 10, 2010
Summer Stage Festival,
Bronx, NY

Choreography
Hope Boykin and Matthew Rushing
Music
Roberta Flack
LIGHTING DESIGN
Evan Roby
COSTUME DESIGN
Jermaine Terry
ORIGINAL CAST
Ashley Mayuex Eriko Iisaku Allison Sale
About The Choreographer:

Two-time Bessie Award winner Hope Boykin was an original member of Complexions, danced with PHILADANCO!, and performed for 20 years (2000-2020) with Alvin Ailey American Dance Theater. She has choreographed for numerous dance companies including PHILADANCO!, Dallas Black Dance Theatre, Minnesota Dance Theater, BalletX, Eisenhower Dance Detroit, Ballet Black of London, American Ballet Theatre Studio Company, The Philadelphia Ballet, and Hubbard Street Dance Chicago, and has created three works for Alvin Ailey American Dance Theater: Acceptance In Surrender (2005), in collaboration with fellow Ailey company members Abdur-Rahim Jackson and Matthew Rushing; Go in Grace (2008), for the Company’s 50th anniversary season with music by the award-winning singing group Sweet Honey in the Rock; and r-Evolution, Dream. (2016), inspired by the speeches and sermons of Dr. Martin Luther King, Jr., with original music by Ali Jackson.


In the fall of 2021, Boykin premiered a full evening of her choreography, An Evening of Hope, at 92NY to great acclaim. In 2022, she choreographed and directed The Other Side, bringing Jacqueline Woodson’s children’s book of the same name to life for The Kennedy Center’s Family Theater, and choreographed The Kennedy Center’s 50th Anniversary Celebration of Leonard Bernstein’s MASS. States Of Hope, her fully scripted, evening length dance theater work was presented at the Joyce Theater in October 2023.


Boykin serves as Artistic Advisor for Dance Education for The Kennedy Center and Artistic Lead for The Kennedy Center Dance Lab. She is Artist-In-Residence at USC Glorya Kaufman School of Dance and was an advisor for the Howard University Department of Dance in the 2021 spring semester. She was a 2022-23 Fellow of The Center for Ballet and the Arts.


Boykin continues to build on her work as a writer and filmmaker, blending her words and cadence as the foundation of her developing movement language. She released “Beauty Size & Color,” a short film commenting on what has changed in the first 20 years of the 21st century on PBS.org. As an educator, creator, mover, and motivator, Boykin firmly believes there are no limits.

Matthew Rushing was born in Los Angeles, California. He began his dance training with Kashmir Blake in Inglewood, California, and continued his training at the Los Angeles County High School for the Arts. He is the recipient of a Spotlight Award and a Dance Magazine Award and was named a Presidential Scholar in the Arts. He was a scholarship student at The Ailey School and later became a member of Ailey II. During his career, Mr. Rushing has performed as a guest artist for galas in Vail, Colorado, as well as in Austria, Canada, France, Italy, and Russia. He has performed for Presidents George H. W. Bush, Bill Clinton, George W. Bush, and Barack Obama, as well as at the 2010 White House Dance Series. During his time with the Company, he has choreographed five ballets: Acceptance In Surrender (2005), a collaboration with Hope Boykin and Abdur-Rahim Jackson; Uptown(2009), a tribute to the Harlem Renaissance; ODETTA (2014), a celebration of “the queen of American folk music”; Testament (2020), a tribute to Alvin Ailey’s Revelations created in collaboration with Clifton Brown and Yusha-Marie Sorzano; and Sacred Songs (2024). In 2012 he created Moan, which was set on PHILADANCO! and premiered at the Joyce Theater. Mr. Rushing joined the Company in 1992. He became Rehearsal Director in 2010, Associate Artistic Director in 2020, and Interim Artistic Director in 2023. 

Movement in Three Parts

COMPANY PERMIERE

April 20, 2024
Suzzane Roberts Theater,
Philadelphia, PA

Choreography

Christian von Howard

Music

Philip Glass

LIGHTING DESIGN
Michael Jarret
COSTUME DESIGN
Christian von Howard
ORIGINAL CAST

Jacquelyn Spencer

La Chelle Dickenson

Olivia McCall

About the work:
A physical stacking of voices linked together in an exploration of Philip Glass’ mesmerizing score. Inspired by the noble accents and the lucid, inescapable rhythms, this piece aims to stack, in succession, a collection of movement ideas against this dramatic soundscape. A puzzle for 3 players to solve.
About the choreographer:

Christian von Howard is the Artistic Director of the VON HOWARD PROJECT, a contemporary dance company based in New York City. As an international artist, he has worked with many dance artists such as Fred Benjamin, Fernando Bujones, Daniel Gwirtzman and organizations such as the American Dance Festival, Dance Masters of America, Iliev Dance Arts Foundation to name a few. His choreographic work has been produced in venues across the globe including Europe, South America, Asia, and throughout the US. Christian is an Associate Professor at Montclair State University, part of the teaching faculty at the Alvin Ailey School, and served as the Northeast Regional Director of the American College Dance Association (2016-2023). He holds advanced degrees from the School of Classical and Contemporary Dance at Texas Christian University and Tisch School of the Arts, NYU and as a Fulbright Specialist (2019-2021) for the United States.

Public Enemy

CHOREOGRAPHY
Iquail Shaheed
DIRECTION
Iquail Shaheed
COMPOSITION
JoJo Stricter
DRAMATRUGICAL COLLABORATOR
Daniel Carlton
LIGHTING DESIGN
Michael Jarett
COSTUME DESIGN

Jermaine Terry

WORLD PERMIERE
April 21, 2023 Ailey Citigroup Theater, New York City, NY
Public Enemy (PE) is about the humanity of Black men and the diversity of that humanity. This Philadelphia-based community dance project by choreographer Iquail Shaheed explores Black male identity in the context of social issues that disproportionately affect Black men—particularly policing, incarceration, and racialized violence. PE includes a run of stage performances and extensive community engagement with Black and Latino residents and returned citizens in the historically disinvested Mantua community of West Philadelphia.
PUBLIC ENEMY was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Foundation and the Mellon Foundation.

PUBLIC ENEMY is a National Performance Network (NPN) Creation & Development Fund Project co-commissioned by Painted Bride Art Center in partnership with Wilson Center, and NPN. The Creation & Development Fund is supported by the Doris Duke Foundation, the Mellon Foundation, and the National Endowment for the Arts (a federal agency). For more information, visit www.npnweb.org.

Claude Alexander III

Antonio DeBerry

Daniel White

Jameel M. Hendricks

Otis D Herring

Jelani Taylor

Uwazi

Dayiah

Samuel Gaines Jr.

Xavier Santafield

Nile Ruff

Iquail Shaheed

PUBLIC ENEMY was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Foundation and the Mellon Foundation.

PUBLIC ENEMY is a National Performance Network (NPN) Creation & Development Fund Project co-commissioned by Painted Bride Art Center in partnership with Wilson Center, and NPN. The Creation & Development Fund is supported by the Doris Duke Foundation, the Mellon Foundation, and the National Endowment for the Arts (a federal agency). For more information, visit www.npnweb.org.

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18 formerly incarcerated participants

Bill Cobb, Z, G, June, Jayden, Tyshawn, Linc Center residents],